![]() Frequency ResponseĪs mentioned above, both the RØDE NT-USB and Blue Yeti have a frequency response ranging from 20 Hz to 20 kHz. ![]() Similarly, the Blue Yeti can take hotter sources if used for recording different instruments.Īgain, not a big deal, but it is usually better to have a higher maximum SPL just in case. The RØDE NT-USB features a Max SPL of 110 dB while the Blue Yeti offers 120 dB.Īlthough both are perfectly capable of handling almost any podcasting needs, the Blue Yeti can deal with a screaming host that is very close to the mic with less distortion. Maximum Sound Pressure LevelĪnother difference between these mics is their maximum SPL. On the other hand, if your podcast involves three people talking at the same time and you only have one mic, then the omnidirectional polar pattern is ideal for this situation.Ĭontrast this with the RØDE NT-USB and its cardioid pattern, which is great for just one person speaking into the mic. In practical terms, you get more options for podcasting.įor instance, if you are interviewing someone that sits across from you in close proximity, the bi-directional pattern means you can record the whole conversation in one single mono recording. The Blue Yeti comes with a triple-capsule array that allows you to choose one of four polar patterns to record: cardioid, bidirectional, omnidirectional, and stereo. Price aside, the main difference is that the Blue Yeti features four pickup patterns while the RØDE NT-USB only has one. Differencesīecause both the RØDE NT-USB and Blue Yeti condenser microphones are very similar, their differences may ultimately swing you one way or the other. However, if you’re recording instruments with these mics, keep in mind that 16-bit audio has its limitations compared to 24 and 32-bit audio.īoth of these USB microphones feature a stereo headphone jack for monitoring, a volume knob, and a gain knob.Īdditionally, though the RØDE NT-USB and Blue Yeti come with desk stands, both can be mounted on a standard microphone stand. It is great that both manufacturers include this standard studio-mic frequency response for USB mics that will mostly be used for podcasting and video calls!Īs for their resolution when recording, both mics offer 16-bit depth and a 48-kHz sample rate, which is acceptable for podcasting. This is a standard response for condenser mics in general and is adequate to capture the human voice with detail. In other words, both mics will work well for podcasting, video calling, and calling, and can also be good to record vocals at beginner home studios.Īnother point in common between the RØDE NT-USB and Blue Yeti is their frequency response of 20 Hz to 20 kHz. That said, because they are intended for the same applications and are very similar, I have to go for the more affordable Blue Yeti.Īs mentioned, both the RØDE NT-USB and Blue Yeti are very comparable mics.įor instance, they are both USB condenser microphones, excellent for picking up subtleties and nuances that standard dynamic mics typically do not capture. Which one is best for you will largely be a matter of taste based on the sound you prefer: neutral (the NT-USB) or colored (Yeti). On the other hand, the Blue Yeti offers four polar patterns (cardioid, omnidirectional, bidirectional, and stereo) while the RØDE NT-USB is only cardioid. Having said that, it is the more stylish option, and the build quality is exceptional. T he difference between them is small, with the RØDE NT-USB having a lower maximum sound pressure level (by 10 dB) and costing $40 more. They are both stylish, look great on a desk, and can be used for the same applications. The RØDE NT-USB and Blue Microphones Yeti are rather similar. ![]()
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